The potential in this programme is ultimately to advance great art work and process which matters to you and to others.
What to Expect
The MFA programme is based around the idea of visual arts practices as inquiries into how we understand and interpret the world. Students are encouraged to reflect on their individual research pathway, to communicate their ideas effectively and to situate their work in relation to the spectrum of contemporary art discourse and practice.
On this programme we are interested as visual artists in discussing, making and framing those things that encourage you to look or listen again the things that alter how you see the world things that you and we mentally refer to and reflect upon. This is advanced in relation to negotiating and developing your personal inquiry in the visual arts and in finding new ways of making, modeling and connecting this knowledge to the professional field of the visual arts and in relation to people, situations and your peers.
The MFA programme is offered through the discipline pathways of Fine Print, Media, Painting, Sculpture, Textile Art, and Ceramics & Glass. Within this structure students can develop specialist skills and also engage with trans disciplinary and expanded forms of practice.
The spine of this programme is centred upon an experiential art practice engagement with structured components that explore research methods and contemporary practices. The advanced study required at masters level is informed by contemporary practice based co-ordinates delivered by leading professionals in the field, including artists, curators, writers and those from other relevant backgrounds. The course will also foster your ability to know and to name the kind of knowledge being produced and has a written component in which students reflect on their research in a critical context.
Opportunities to Engage
These programmes have their foundations in a consistent commitment to the publication of practice through exhibittion. These moments of public exhibition come both through clusters of testing work within and outside the academy, but also in the public exhibition of the students major research project at the end of their studies. These exhibitions have been developed in different locations, and are a significant feature of the Dublin and Irish cultural landscape.
The programme is developed around a pathways model that affords specialism in relation to known and expanded conceptions of contemporary painting, print, sculpture, and the digital world You choose engagement with a range of discursive seminars and lectures across areas of socially engaged practices, digital world perspectives, theoretical coordinates and interdisciplinary components some drawing upon our close relationship with University College Dublin.
Staff across the School of Fine Art at NCAD encompass a wide variety of specialisms and skills across the field of contemporary art encompassing painting, print, the moving image, object based, participatory and expanded forms of sculpture, physical computing and art criticism. It is the ongoing effort to resource their research, to develop and exhibit work and to be a part of contemporary debate in all its forms, that are understood as critical to contributing to an effective and informed teaching culture.